Codex Gigas – The Devil’s Bible – Ancient Secrets Of The World’s Largest Book
The origin of this ancient giant book is unknown. It has been compared to the Seven Wonders of the World in the Middle Ages.
For over 700 years, this ancient manuscript has fascinated scholars. The existence of the book is connected with a particular legend that should have worried the Church, but the truth is that the Inquisition never condemned this ancient manuscript.
The World’s Largest Bible
That the Church would allow a Bible that depicts the Devil sounds like a contradiction, but in this case, it is true. According to one legend, it was written by a monk who wrote it with the help of the Devil.
The Codex Gigas, which means “Giant Book,” is known as the Devil’s Bible. It is the most extensive medieval manuscript in the world.
The true origin of Codex Gigas is unknown. Still, a note in the manuscript reveals it was created in 1295 in the Benedictine monastery of Podlažice in Bohemia (today, modern Czech Republic). Shortly after, the manuscript ended up in another monastery in Brevnov near Prague.
Later, in 1594 Rudolf II, the Holy Roman Emperor, King of Bohemia, and King of Hungary, Croatia, and Slavonia, took the manuscript to his castle, where it remained until the Swedish army stole it during the Thirty Years War (1618 – 1648).
It became a part of the collection of Queen Christina of Sweden. Only on two separate occasions, it was exhibited abroad, in New York and Berlin. Today, Codex Gigas is kept in the National Library of Sweden in Stockholm. The manuscript is no longer open to the public.
On September 24, 2007, after 359 years, the Swedes permitted the manuscript to be displayed in Prague. Conditions for exhibiting the Codex were strict, and the state had to guarantee the Bible for 15.1 million US dollars. In January 2008, the Devil’s Bible returned safely to the National Library in Stockholm.
This giant book was compared to the Seven Wonders of the World in the Middle Ages.
It weighs nearly 75 kg, requiring two librarians to lift it. The Codex Gigas has 312 parchment folios; hence 624 pages and the pages are 890 mm tall by 490 mm wide.
The Codex includes a full version of the Bible, written in Latin. There are also some short texts in the manuscript. The first is work on repentance, a manual for priests with a list of sins and appropriate ways of atonement. Parts of this work clarify that it was written by a churchman who committed sins.
The Codex also contains a magic formula for overcoming evil, misfortune, and disease. Inside is a calendar containing a list of saints and local Bohemian persons. This calendar was used to keep track of the feast days of the Church.
All the indications are that it was the life work of one person. Historians estimate that the scribe must have spent as many as twenty years on such a monumental work.
Codex Gigas is called the Devil’s Bible because this large book has an image of the Devil. The portrait of the Devil is the most famous image in the Codex Gigas. It is not uncommon to find pictures of the Devil in ancient medieval manuscripts and other works, but this one is slightly different.
The purpose of the illustration was to portray the Devil as the Prince of Darkness. For one thing, the Devil is depicted alone and occupies a whole page. He is shown in an empty landscape standing between two large towers and raising his hands in the air. He has only four fingers and toes.
Legend says a monk who once lived in the monastery of Podlažice, Czech Republic, was sentenced to be walled up alive for his sins.
To escape punishment, he promised in one single night to write a gigantic book in the world that would make the monastery famous.
He soon realized that the task was beyond his powers, and he invoked the aid of the Devil, who demanded the monk’s soul as payment. When the book was completed, the monk drew an image of the Devil to thank him for his support. The legend says that the monk avoided the punishment but lost his peace of mind, and his life turned into hell.
We live in a strange world. One would assume that the legend behind the creation of the world’s giant book was disturbing for the Pope and the Church, but this was not the case. Despite its unconvincing source, the Inquisition never condemned this medieval manuscript. On the contrary, it was studied by several scholars.